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Posts Tagged ‘digital signage’

The Top Five Mistakes People Make When Investing In Outdoor Signage Solutions. by Graham Gallagher

When businesses invest in digital signage, they have to take a look at the entire solution before rushing in, this is what happened with Tesco's digital signage campaign, it was ill conceived and got mothballed before it had been rolled out to all the stores.

Tip 1 - Reducing the initial investment. Digital Signage can be expensive, so the best option is either to use a low cost solution such as a digital LCD poster, so that the market can be tested and evaluated. These low cost solutions can be placed in high "foot traffic" areas, were many people pass by during the day or night.

Tip 2 - Targeting the Wrong Audience. If you have a small number of locations, you could try a Digital interactive Display (DiD), these have motion sensors and activate when someone passed, encouraging them to interact. It also actives a webcam recording the people's reactions, ages and sex, whilst the onboard computer records what interests this group of visitors, such as products or log in details. This way you can target the marketing of your products to specific target groups. Having an ubber targeted audience is essential.

Tip 3 - When to update content? This is a big one, many advertising campaigns fail due to the fact that the content isn't updated often enough. One business model to copy is a restaurant who uses dynamic advertising, they target the early birds for lunch and dinner, then they market cocktails and specials to people whilst they are "waiting for a table" at peak times. Three types of content rotated throughout the day.

Tip 4 - Wrong location. When you site a sign, you must ensure that there are plenty of passing people for your campaign to work, without these people the project is dead before you start. Also make sure that if you are installing the unit in an un-manned area, that the relevant anti vandal protection is installed, because you don't want to have to keep coming back to replace a damaged display.

Tip 5 - Networked or Not? When you are considering a digital sign project, cost will be an issue, however you have to bear in mind that for an extra hundred bucks could mean that the sign is networked up rather than being a stand alone sign. Don't get me wrong, stand alone signs are fine when you only have 1 or 2, however this changes if you have 10 or more, due to the amount of man hours wasted uploading new content manually, rather than over the network.

About the Author

Graham is an expert in outdoor digital signage, he also owns Europe's leading manufacturer of LCD enclosures. As well as protective outdoor digital signage, Graham's range of LCD enclosures offers waterproof protection to standard TV's.

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More film-makers exploiting digital out-of-home


click for screens.tv website

click for screens.tv website

by SCREENS.tv staff

Interest is continuing to grow in the potential of digital out-of-home as a medium for public art, with Clear Channel Outdoor showcasing a new work in the U.S. and an international festival of short films scheduled for next month.

Clear Channel Outdoor has donated time on 86 of its digital billboards in the Los Angeles area to promote local film-maker Liz Goldwyn’s new short Underwater Ballet. Still images from the film will be accompanied by a Web address where it can be viewed in full.

More unusually, however, during the first week of May its Spectacolor HD screen in New York’s Times Square will also show the film in full twice an hour, with audio. Audio will be available via mobile phone.

Meanwhile, the Art by Chance international festival of short film on out-of-home screens is scheduled for 22 May.

Art by Chance

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Research: animation holds attention longer

Originally published on :03 March, 2009 18:12

Click for www.screens.tv

Click for www.screens.tv

Research: animation holds attention longer

by SCREENS.tv staff

Animated digital signage holds viewers’ attention longer than static images, according to research conducted by media planning and buying agency Kinetic in the UK.

For the research, three different versions of a digital poster for a real brand were displayed at London Bridge railway station over 11 days: one static, one with text and illustration animated, and one where all the artwork was moving.

Adding animation of the text and pack shot increased viewing time by 30 percent, but “further animation does not necessarily lead to further engagement”, Kinetic said.

The research also suggested that frequently changing the advertising on an out-of-home screen is more effective than keeping the same creative on display permanently.

“A loop of advertisers attracts the most glances for the longest time, suggesting that a regular change in creative style and content keeps people interested,” said Kinetic, an out-of-home specialist half-owned by WPP.

Twice as many people viewed digital posters as looked at printed posters, according to the research, typically for 60 percent longer.

Titan Outdoor supplied the advertising locations, TruMedia via True Colours Distribution the camera-based audience-measurement system, and Grand Visual the creative work.

via Research: animation holds attention longer .

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Designing Digital Signage For The Audience: An Introduction


The following blog details a wealth of information regarding the steps to take when creating digital signage.  These are all steps that we have taken at MediaVision; however as we go forward this article is a great primer to ensure that we are on track and focused.

From www.dailydooh.com

Whether you are developing a digital signage network for a client or on your own behalf, there really is only one person that takes precedence above all others and that of course is the person you want to engage, the viewer.

For several years the term bandied around was ‘content is king’; today, it’s been proven time and time again that in fact, ‘relevance is king’ and that without relevance, people (viewers) will see little value in any form of communication presented to them and will turn the page, flip the channel or in the case of digital signage, simply look away.

This article was originally published by AV magazine last week and is also available as a PDF on the TIG Group Master Logo NEW RGB SINGLEImperative Group website as a PDF download – it was written by Chris Heap, Managing Director of the Imperative Group in association with Unicol and is republished here with kind permission

In order to ensure the best chance of success there are five fundamental points worth considering before engaging in the process of developing a digital signage network which relate to designing for the viewer:

  1. Understanding your audience.
  2. The viewing environment.
  3. Designing relevant, timely and appropriate content.
  4. Making it easy for viewers to view.
  5. Delivering a measurable return (for the viewer).

Let’s take a look at each one of those in a little more detail…

  1. Understanding your audienceWESTFIELD Research who shops or visits a particular store or venue, when and how often.Does the type of audience change throughout the day, across a week and how frequently do they visit?Use your clients customer data if you can, to build up a profile of who your viewers are likely to be.These profiles will inform what type of content is required at what times or in which parts of the venue enabling you and/or your client to be precise in targeting viewers with specific, relevant messages.
  2. The viewing environment It is imperative you conduct an audit of the physical environment in relation to how it influences the manner in which people move through the physical space. This has a direct bearing on any potential design of the network (screens and screen placement) and the content (form and function). Ask simple questions such as whether the venue lends itself to different types of zones to cater for different audience habits. For example, there maybe areas within a venue that enables a viewer to watch a screen for a longer period of time (i.e. in a queue or a waiting area) than perhaps the entry or exit to a venue. There is a direct relationship between the screen and the viewer in any physical space that relates to ability to see versus proximity (and clarity).
  3. Designing relevant, timely and appropriate contentBBsMUFFINS Knowing who your viewers will be, what their interests & needs are and how often they may watch your network will inform the approach you or your client takes regarding what you are to present to the viewer by way of content.The flexible, dynamic nature of digital signage means that unlike posters and other venue-based communications, digital signage can be highly reactive to business needs or change according to the audience which is why time is an additional and valuable component to the marketing opportunity.For example, If you are promoting retail products and services, can you use the screen network to feature particular offers based on the time of day, the day of the week or the season which makes the promotion relevant to the viewer, i.e. if it’s raining outside, push umbrellas. If it’s warm and sunny, push ice cream and sunglasses.Taking the concept of time one stage further, if you were on your lunch-break and saw an offer on a screen in a store or in a window that said“buy me within the next five minutes and save 25%”, would you?Time can offer significant viewer value and be used as a significant call to action.The network should always provide helpful and useful information to the viewer to assist them in making better decisions which the network can do by offering advice, hints and tips. Help viewers understand that your client is a subject matter expert.

    Entertain viewers where and when it is appropriate to do so. Digital signage networks have a commercial role to play but just like commercial television; if it isn’t engaging viewers won’t view, so find ways to inject humour and fun but also know when to keep it serious.

    Ensure that at all times what the viewer sees is correct and up to date information. There are significant commercial benefits to doing this but from a customer’s point of view, if it’s on the screen it must be available.

    Match the frequency of the repetition of the content to that of the viewer visiting the store. If 90% of viewers visit the venue once a week, programme the content to refresh weekly to ensure viewers see fresh content each time they visit. Repetition is not what viewers want and certainly something staff certainly do not want so avoid this as best you can.

    If you need to use audio, match its levels to the ambient noise in the environment but don’t compete with it. If a viewer can clearly hear audio, it is complementary and helps the viewer understand the visual message then there maybe a case for audio but just because you can it doesn’t necessarily follow that you should. Treat audio with care.

  4. Making it easy for viewers to view For a digital signage business to work at its most basic level, as many viewers as possible must be able to see both the screens and the content on those screens without making any effort whatsoever. The more effort that’s required on behalf of the viewer will mean the harder your network has to try to engage them and the more likely you will lose viewers, they’re not obliged to look at your screens after all. If only 50% of your potential viewers are able to see the screen at a given point, you have already reduced the commercial opportunity of that screen by half. The best outcome for any physical deployment is therefore to ensure that all screens and their content can be clearly seen without hindrance 100% of the time, specifically:100% direct line of sight from maximum to minimum viewing distance.100% at eye-level (level relative to distance; does not involve ‘head turning’).High clarity of screen image (no pixilation, no reflection).Correct colour settings (e.g. to enable a ‘true-life’ presentation).Consider choosing a screen that offers the right level of image quality for its use. Screens closer to the shoppers’ field of vision may require higher quality screens than those further away. Image quality is relative to the viewing opportunity and the intrinsic limitation of human eyesight (do you really need an HD screen if viewers are 20m+ away from it?).

    However, HD maybe appropriate to show suitably high quality content if the quality is part of the overall proposition e.g. selling high definition televisions/monitors, so choose the format most appropriate to the needs of the viewer or the customer.

  5. Delivering a measurable return (for the viewer)HMV-1 Viewers are phenomenally media savvy. They are active creators and users of digital communication and trade digitally every day (they create websites, they blog, they text, they email, they use PVRs, they create their own DVDs) and consequently the growing trend is for the audience to be more critical of what is presented to them.There are many different ways networks measure commercial return, be that increasing viewer spend, increasing the time viewers spend in the venue, facilitating repeat visits or engaging enough viewers to attract advertising spend to name a few. This is all of course pointless if the network does not provide tangible qualitative reasons for the viewer to view, namely: –“Don’t make it hard for me to watch you”“When I do watch you, show me something relevant to me”“Save me money”“Save me time, don’t waste my time”

    “Help me make better decisions”

    “Tell me something new, innovative and interesting”

    “Give me ideas”

Build your network to cater for these needs and you are significantly likely to create viewer value which in turn will generate all of the positive numbers required to validate almost all business cases relating to the deployment of digital signage networks.

Images courtesy of the Imperative Group.

Chris Heap

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